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The Recording Engineer's Handbook, by Bobby Owsinski
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Bobby Owsinski's The Recording Engineer's Handbook has become a music-industry standard, and this fully updated edition once again offers the most comprehensive and up-to-date introduction to the art of audio recording. Written with special emphasis on today's technology and the evolving marketplace, THE RECORDING ENGINEER'S HANDBOOK, THIRD EDITION, includes a complete overview of recording as it's done by most musicians and producers today--in the home studio. In the book's first section, Recording, you'll learn everything from how microphones work to specific techniques for recording drums, individual instruments, vocals, and much more. In the second section, The Interviews, you'll benefit from the wisdom and down-to-earth practical advice offered by a host of recording professionals, including legends like Al Schmitt, Eddie Kramer, Frank Filipetti, and many others. Learn the art of recording from renowned author, teacher, producer, and engineer Bobby Owsinski, and, in the interviews, explore the creative processes behind not only today's hits but also the classic cuts we've enjoyed for years. Pick up your copy of THE RECORDING ENGINEER'S HANDBOOK, THIRD EDITION, and see why this book has become a standard text on audio recording in college courses all over the world.
- Sales Rank: #198990 in Books
- Brand: Brand: Cengage Learning PTR
- Published on: 2013-09-30
- Original language: English
- Dimensions: 11.00" h x 9.00" w x 1.00" l, 1.86 pounds
- Binding: Paperback
- 304 pages
- Used Book in Good Condition
Review
PART I - RECORDING. Introduction. 1. How Microphones Work. 2. Common Microphones. 3. Basic Recording Equipment. 4. Digital Audio Workstation Recording Overview. 5. Basic Stereo Miking Techniques. 6. Basic Recording Techniques. 7. Preparing The Drum Kit For Recording. 8. Recording The Drum Kit. 9. Individual Instrument Miking Techniques. 10. Recording Basic Tracks. 11. Recording Overdubs. 12. Surround Recording Techniques. PART II - THE INTERVIEWS. Chuck Ainlay. Steve Albini. Michael Beinhorn. Michael Bishop. Bruce Botnick. Ed Cherney. Wyn Davis. Frank Filipetti. Jerry Hey. Eddie Kramer. Mark Linett. Mack. Al Schmitt. Addendum 1: Final Recording Checklists. Glossary. Index.
About the Author
A long-time music industry veteran, Bobby Owsinski started his career as a guitar and keyboard player, songwriter and arranger, eventually becoming an in-demand producer/engineer working not only with a variety of recording artists, but on commercials, television and motion pictures as well. One of the first to delve into surround sound music mixing, Bobby has worked on over a hundred surround projects and DVD productions for a variety of superstar acts. Combining his music and recording experience with an easy-to-understand writing style, Bobby has become one of the best-selling authors in the music recording industry with 19 books that are now staples in audio recording, music, and music business programs in colleges around the world, including the best-selling Mixing Engineer's Handbook, Recording Engineer's Handbook, and Music 3.0:A Survival Guide For Making Music In The Internet Age. A frequent moderator, panelist, and program director for a variety of industry conferences, Bobby has served as the longtime producer of the annual Surround Music Awards, and is one of the creators and executive producers for the "Guitar Universe" and "Desert Island Music" television programs. Visit Bobby's production blog at bobbyowsinski.blogspot.com/, his Music 3.0 blog at music3point0.blogspot.com, and his website at bobbyowsinski.com.
Most helpful customer reviews
5 of 5 people found the following review helpful.
The Best "Field Manual" for recording Engineers
By Paul Ill
A crucial manual for anyone who records anything, anywhere, with any gear. Small wonder I see this profusely written text in most, if not all the studios I record in! It really is a "field manual" for recording engineers; many consider it a classic.
2 of 2 people found the following review helpful.
Outstanding resource!
By Wayne Bouchard
This is an excellent source of information not just for the beginner but for anyone who is looking for a few tips and tricks to make their work better. While some of the information is basic, sometimes a little review is useful to correct problems that have crept into an engineer's habits. Through the interviews Owsinski conducted, you can clearly see that there are several different approaches to capturing music. What works best, it fast becomes clear, is more a function of the engineer than anything else. It also makes it clear that your ear is the most important tool you have at your disposal and it should be used throughout the session. For me, the references on mic positions for various instruments are useful but I find the greatest value in the interviews. For anyone looking to up their game, you could do far worse than to add this to your bookshelf.
1 of 1 people found the following review helpful.
Could use more updating, but the bulk of the material here is timeless.
By Rehu
Some of the information is a bit outdated as there has been a technological revolution since this book's last update. Earthworks has released game changing QTC microphones and ZDT preamps that aren't mentioned here, while many of the recommended microphones and preamps in this book are no longer made and are prized as antiques now costing many thousands of dollars more than they use to cost at the time of this book's publication. A set of 3 recommended M50's is going to cost you over $40k used. An AKG C12, often referred to here, will cost you over 5 grand, and there are no mentions of better far cheaper mics that have come out recently. Still, having said all that, I saved a lot of money getting turned on to the AT4050 and the sure M57 as a result of reading this book, neither of which come at a prohibitive cost. DAW's and DA interfaces have come a long way since this third edition, and there is no mention of perfectly good digital compressors, EQ plug ins etc. In terms of learning about mic placement and controlling the sound picked up by those mics, this book is still essential reading.
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